here you find info about me, my art and more web-links, below and further below…
As a artist, writer and also a kind of double migrant, ‘place’ and ‘places’ have multiple, deep and wide meanings for me: I work + dwell in words + space, shapes + time.
Here is a list of publications (aiming to list them all here though some are missing…)
‘Soup’ contribution in Cabinet of Heed
‘Qs and As (Storm Story)’ in the Cabinet of Heed, https://cabinetofheed.com/2020/04/13/qs-and-as-storm-story-ursula-troche/,
– Seat to Sea – North to Irish in: Morimaru.https://www.morimaru.org/seatoseaursulatroche
– Outside In/ner Circle – Solway to Shetland. Quarantzine 1
2019 – ‘Outgoiing Arising/The Night’ – in Lone Women in Flashes of Wilderness, https://www.lonewomeninflashesofwilderness.com/ursula-troche#!
– ‘Looking for Irish Street’: https://www.writing.ie/tell-your-own-story/looking-for-irish-street-by-ursula-troche/
– poem in ‘The Voices project: http://www.thevoicesproject.org/poetry-library/thoughts-in-a-landscape-by-ursula-troche
2018 – ‘a psychogeography of where I grew up’. In particulations. https://particulations.blogspot.com/2017/10/a-psychogeography-of-where-i-grew-up.html
– ‘100 mins 10’: poem, E-list magazine: https://issuu.com/e17_listings/docs/e_list_march_18
– ‘Tides in the body’ https://advantagesofage.com/exclusives/tides-body-menopausal-musings/
2017 – ’18 minutes’ – (Solway solstice poem), http://www.francisgilbert.co.uk/2017/07/summer-solstice-readings-for-national-writing-day-at-the-word-bookshop-new-cross/
– ‘Hey Hoo’ and the ‘OO Zone’ about the Hoo peninsula: wanderingwords.org.uk/author/ursulaa/
– yearly publications in ‘Fountainhead magazine:
2005: ‘Overstayed’ at ‘Transcultural Writing (British Council):
2009: ‘Flow River’ in ‘Library of Obscure Wonders’ booklet on the River Brent
and other poems and small articles, such as in ‘People in Harmony’ and ‘The Write Spark’.
Contributions to: ‘Soul Immigrants’ magazine, 1998 – 2000
papers/presentations given at conferences, eg.
Diaoguues on Otherness in Research and Practice; at the Stuart Hall Library Research Network, 2014 https://iniva.org/blog/2014/01/20/save-date-stuart-hall-library-researc/
at: Glocal Imagineries: Lancaster 2009; and ‘Further North’: Newcastle 2014
Micropsychogeography (with Simon Bradley), Plymouth 2019
performance poetry gigs, eg: at the Walthamstow Garden Party; South London Jazz Festival; for IWD, most recently in Maryport and Carlisle[ South London Human Rights Festival
organsied events for World Human Rights Day (10 Dec), Mothertongue language day (21st Feb) World Antiracism Day (21st March) in 2004/5
organised ‘From One Exile to Another’ for ‘Exiled Ink’ at the Poetry Cafe London.
exhibitons, pieces in group exhibitions, eg.:
Palimpsest (2016) – – – Traditions (2017) – – – Art and Ritual (2019) – – – Falling Walls (2019)
5 since Solway: . Collages and Assemblages; . From the City to the Sea = . Words and Nets (Entanglements and Internets); . Easter, Eggs, Box, Beach; . Introducing Art-Couple
Most recent publications at: Cabinet of Heed, Morimaru and Gaada
Lone Women in Flashes of Wilderness https://www.lonewomeninflashesofwilderness.com/ursula-troche#! and at Writing.ie https://www.writing.ie/tell-your-own-story/looking-for-irish-street-by-ursula-troche/
Drawing on lived space-experience from country to country, then city to sea, I look at the insides of the differences and entangulations of these worlds in psychogeographic and linguistic ways. My focus is a Sea-Triptych of the Irish, North- and Baltic Seas, looking at the (social) histories, borders and margins of these seas, with postcolonial and creative perspectives. Uncovering micro-details of forms, lines, language-images and islands, I embellish them in various media: writing, photography, performance, sketches, assemblages, video and interventions. Keen to bring art and its ideas into the public sphere, as an approach to “the personal is political”, I view art as a means of dialogue.
Space and the Sea – London to Cumbria – City to Coast – Centre to Margin unsettled
Sea-crossing: Germany to Britain: North-Sea traverse, with Waddensea beginning
Lands and Borders – lines under water – hidden boundaries – Berlin Wall Meridian
island-twinning – related names – languages merging on islands: rainbow emerges!
sea, and here a triptych has arisen: Irish Sea and Baltic Sea on the sides – North Sea in the middle. – and there is another side to the North Sea: the Waddensea. Going from sea to land, the countries around theses sea are even more numerous! Britain (where I live) and Germany (where I grew up) being two of them. As these are the languages I know, I bring some of the islands of these seas together in my little blogs: https://islandinsel.blogspot.com/ and https://seelandsea.blogspot.com/
On more numerous space-and time topics or artistic dimensions I collaborate with sound-artist, oral historian et al Simon Bradley at artcouple.co.uk.
So this is me:
and the beginning of my unreal-to-real series: acrylic to wool: the idea here is to make collages that look like seaweed, or maps – representing intertidal life-forms.
I have an interest also in viewing things perhaps in an upside-down method, as an approach to expand and invent new subjectivities, find and consider passed-by objects, construct pathways from margin to centre (to paraphrase and expand on bell hooks’ idea in her book of the same title, 1984).
…here’s the middle-piece of a Nature Triptych: Sky-Sun, Middle and Roots):
I have been writing for years and performed in pubs and festivals and so on.
One of my early self-published booklets ‘Embraceable – Notes from Different Places called Home’ speaks of themes i still pursue: that of my migration and ‘my-grations’ within that. Embraceable – Notes from Different Places called Home’ – the lived experience of hybridity, being a foreigner but also being at home. ‘Origins and Other Issues’ refers to yet further, distant, and historical roots in Africa. So there are themes from which the idea of the ‘Colourcircle’ originated: I had this idea of a Colour Circle, to use against the colour line, and thereby create change, because we are exchanging the line with the circle, so we escape our separation and instead face each other, so we can have communication instead of silence. So it’s about social spaces and their echoes, dynamics, imprints – and the things we can do with them, the things we can say, theorize, imagine and re-imagine. Where art can lead to bringing out hidden and overlooked material and situations – and lines can be redrawn and change attempted.
In 2016, the year after this blog started, some of the places I performed at were these, …more content to follow:
Visible Women (Isleworth); WOW; and next week the Black Film Fest in Berlin
The Colour of London Festival; Human Rights Festival South London
In different countries; Etc, tbc